Pillow Talk and Perpetual Nightmares, 2024
25" x 19" x 3"
Found photographs and stitching on dyed voile pillowcase stuffed with cotton batting
Impressions, 2024
19" x 25" each
Rust on cold-rolled steel
Family Ties, 2024
9" x 12"
Cross stitching on collaged found photos
Images of The Imaginary, 2024
100 images generated by Artificial Intelligence via Midjourney
The people and places in these images do not exist, rather they are each a unique compilation of the found school portraits, wedding photos, and other intimate memories they imitate. More information can be found here.
Down the Drain, 2023
20" x 30"
Ink wash and graphite on paper
Down the Drain (2023) was awarded 2nd Place in Drawing/Pastel at the 2024 Minnesota State Fair's Fine Arts Competition. The drawing will also be featured in an upcoming group exhibition at the University of Minnesota's Coffman Memorial Union gallery in 2025.
It All Comes Out in The Wash, 2023
Dimensions variable
Frozen voile garments with image transfers and dye on wooden clothesline
Home/Maker, 2023
24" x 50" x 2o"
24" x 50" x 2o"
Found textiles on wooden rocking chair
Rinse and Repeat, 2023
18" x 24"
Ink wash and graphite on paper
Rinse and Repeat (2023) was published in the 2024 edition of The Tower, a student-run literary and art magazine at the University of Minnesota.
Common Thread: Behind Closed Doors, 2023
Dimensions variable
Found photographs and textiles with ink, wooden frame, and thread
Safe Space, 2023
18" x 24"
Charcoal and graphite on paper
Common Thread: Open Wound/Scar Tissue, 2023
12" x 9"
Embroidery on found photographs
Common Thread: Open Wound/Scar Tissue (2023) was exhibited alongside Common Thread: Not Married But Willing to Be (2022) at the 2023 Portals Showcase at the University of Minnesota's Barbara Barker Center for Dance.
Common Thread: Not Married But Willing To Be, 2022
18" x 75"
Found photographs, thread, and dye on tulle bridal veil
Common Thread: Not Married But Willing to Be (2022) was exhibited at the 2023 Undergraduate Scholarship Exhibition at the University of Minnesota's Regis Center for Art. The title references a photo of two men circa 1900 holding a sign reading "NOT MARRIED BUT WILLING TO BE" that was published in Hugh Nini and Neal Treadwell's Loving: A Photographic History of Men in Love 1850s-1950s.
LADY PARTS, 2022
12" x 12" x 50"
Printed images on wood
LADYPARTS (2022) was exhibited at the 2023 Undergraduate Scholarship Exhibition at the University of Minnesota's Regis Center for Art.
Fruits of a Fool's Labor, 2022
24" x 18"
Graphite on paper